A deep-dive into ‘Birdy’ (1984) through a psychoanalytic and postmodern lens—exploring trauma, repression, masculinity, and flight as metaphor.
Category: Film Criticism
The Living Dead as American Mirror: Race, War, and Consumerism in George A. Romero’s Zombie Films
George A. Romero’s ‘Living Dead’ films explored race, war, consumerism, and decay—turning horror into a biting critique of American social history.
The Spectacle of Emptiness: Nihilism in TV and Film from ‘M’ to Walter White
From Fritz Lang’s ‘M,’ to ‘Breaking Bad’s’ Walter White, this essay explores how film and television reflect our search for meaning in the void.
Charles Switzer 